Who invented the method of radioactive dating for turin shroud
This article was published in 3 parts in The Glyph, the journal of The Archaeological Institute of America, San Diego, Vol 1, No. What are the facts and how do we separate the facts from both religious and scientific bias and agenda-based conclusions? Schwortz's No single artifact of the past has so exemplified the interface between science and religion as the Shroud of Turin.
It displays the complete dorsal and frontal image of a severely abused and crucified individual of Semitic characteristics who was laid on the proximal portion of the cloth with the distal portion folded over the head and extended over the body thus creating, through some as yet unexplained chemical or physical process, two "head to head" images of the back and front.
The ghostly, sepia colored image is nearly imperceptable close-up but discernable at a distance.
It was not until the first photographs were taken of the shroud in 1898 by Turin Councillor Secondo Pia that the negative plates revealed the startling "positive" of the clear picture of the "man in the shroud." The image is of a male, almost 6 tall, bearded, severely abused and scourged with the distinctive "dumbell" markings of a Roman flagrum.
Bloodstains are evident from wounds in the wrists, feet, about the head and brow, and the left thoracic area with pooling under the small of the back and under the feet.
The image of the "man in the shroud" also displays signs of beating about the face, swelling under the eye and shocks of his beard having been ripped from his face (a common form of abuse to Jews by Romans).
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The debate on the authenticity of the shroud focuses on whether this image was transferred to the linen by some means from a real corpse or whether it was artificed by a clever forger.